Deep Sea Adventure is cute, but fundamentally broken. The idea of diving for treasure is a good one, as is the twist of having to come back before depleting a shared oxygen supply. And yet, the implementation of those ideas does not work, leading to a game where the best move is to crash it entirely.
Many boardgame players wish they could play faster. While there’s nothing wrong with playing at a relaxed peace, many feel their enjoyment is reduced by taking too much time. Furthermore, there are players who would like to play in a competitive environment but fear not being able to keep up with the strict time requirements.
The good news is that fast play is a skill. It can be taught, practiced and learned. In this guide, I’ll provide basic tips for those who want to improve and become a faster player.
With the release of Sekiro we have been having the same old conversation about difficult games. Difficulty in games is a form of gatekeeping, they say. An unnecessary quirk of game design which ought to be abandoned. Difficult games are disrespectful, even, and good developers would add an easy mode.
And I disagree. I don’t believe some games being difficult is disrespectful, elitist or wrong but simply necessary.
Chicago Express is a game of alliances. But they are not the kind of alliances made explicit through negotiation. Rather, they are the kind that naturally arise from shared interests.
Set at the height of railroad expansion through the Appalachians, Chicago Express is a challenging game of stocks and manipulation. Quick and heavily streamlined, its simple rules hide a tremendous amounth of depth and a degree of tension that it’s often missing from many other train games.
JRPGs were my favourite genre when I was a teen. I loved them all, from Chrono Trigger to Final Fantasy to more obscure series such as Shadow Hearts or Shin Megami Tensei. For a while, they were all I would play. To me, they were synonymous with gaming, a pillar of the medium.
Until one day, I stopped liking them. And never did again.
